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STAGE. COMEDY. 

COMEDY OF MANNERS.

The comedy of manners is an entertainment form which satirizes the manners and affectations of a social class or of multiple classes, often represented by stereotypical stock characters. For example, the miles gloriosus ("boastful soldier") in ancient times, the fop and the rake during the English Restoration, or an old person pretending to be young. Restoration comedy is used as a synonym for "comedy of manners".[1] The plot of the comedy, often concerned with scandal, is generally less important than its witty dialogue. A great writer of comedies of manners was Oscar Wilde, his most famous play being The Importance of Being Earnest.

 

The comedy of manners was first developed in the new comedy of the Ancient Greek playwright Menander. His style, elaborate plots, and stock characters were imitated by the Roman playwrights Plautus and Terence, whose comedies were widely known and copied during the Renaissance. The best-known comedies of manners, however, may well be those of the French playwright Molière, who satirized the hypocrisy and pretension of the ancien régime in such plays as L'École des femmes (The School for Wives, 1662), Le Misanthrope (The Misanthrope, 1666), and most famously Tartuffe (1664).

 

The term comedy of menace, which British drama critic Irving Wardle based on the subtitle of The Lunatic View: A Comedy of Menace (1958), by David Campton, is a jocular play-on-words derived from the "comedy of manners" (menace being manners pronounced with a somewhat Judeo-English accent).[2] Pinter's play The Homecoming has been described as a mid-twentieth-century "comedy of manners".

 

In Boston Marriage (1999), David Mamet chronicles a sexual relationship between two women, one of whom has her eye on yet another young woman (who never appears, but who is the target of a seduction scheme). Periodically, the two women make their serving woman the butt of haughty jokes, serving to point up the satire on class. Though displaying the verbal dexterity one associates with both the playwright and the genre, the patina of wit occasionally erupts into shocking crudity.

 

Other contemporary examples include Douglas Carter Beane's As Bees in Honey Drown, The Country Club, The Little Dog Laughed, and the "Jeeves and Wooster" series by P.G. Wodehouse. The television program Absolutely Fabulous is another contemporary example of the comedy of manners.

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